I’ve just gotten back from the TESOL Convention and I learned quite a bit and met quite a few interesting people. One topic that kept coming up again and again was the question of technology in the ESL Classroom. Every year, it seems like there’s a new app or website
It was an honor to present at the 2019 TESOL Conference and spread the word about using drama and video in language learning. Our author, Taylor Sapp, also presented on using his story prompts to help reluctant writers write and I hear it was very well-received. Patrice Palmer presented on
We’re going to be at TESOL19 Convention this year exhibiting at Booth 939, so please come on down and check out our books, including our newest releases: Adrift, Short Plays for Language Learners, and 60 Positive Activities for Kids. You can also hear about what we’ve got coming for the
The benefits of drama in the English classroom are surprising. Students learn and practice a variety of acting skills, using their bodies and voices to make meaning. When they put on a play, what to say is given to them so they can focus on how to say it. Speaking with
If you’re a small publisher or self-publisher, keeping your business afloat is not easy. And one thing that eats into your profits is when teachers photocopy books that aren’t photocopiable. Textbooks and workbooks make money by selling class sets; that’s just how it works. So while I sympathize with teachers
Prewriting is really just a fancy way of saying “planning to write”. For many writers, it includes brainstorming and outlining. But prewriting activities for young learners, who often have lower proficiency in English as well as lower attention spans and writing skills, need to be designed carefully. Young learners often
Why do I recommend a Get-to-Know-the-Teacher activity on the first day of class? I remember the first time I was grilled by a new class. I was teaching middle-schoolers in a public school in Kazakhstan and many of them had never seen an American before. I started the class off with
Have you ever thought about what your students are worth? What would you pay them for the work they do on a project? It’s a sort of backwards question, as generally students pay us to learn. I’m asking this question because of a group work evaluation method I learned from Patrice
I belong to a Facebook group for self-published fiction authors many of whom routinely make thousands or tens of thousands of dollars a month. The key to their success? Pick a genre that readers like, read as many examples of it as you can, and then write to that genre.
So many speaking materials focus on micro-language: application of a grammatical form, pronunciation of a syllable, maybe memorization of a useful phrase. But students do not get much scaffolding for a macro-approach that integrates larger elements of language such as longer turns, or whole sections of a conversation with a particular
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